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The release of the Polaris Music Prize long list (which took place yesterday) is always a cause for celebration, head-scratching, shrugs—but hopefully also some careful examination. I’ve been doing these breakdowns for most of the prize’s 12-year history; I’m frankly too lazy to go back and document trends, but in terms of how this year plays out, it looks like fewer old favourites than ever before: this is a pleasantly fresh crop. Yes, it’s still largely focused on Central Canadian music, and yes, jazz and metal and mainstream country are nowhere to be found, but beyond those perennial pitfalls I believe this is one of the most diverse and musically rewarding lists to date.
Here’s
what it looks like, followed by my breakdown:
Allie – Nightshade
Alvvays – Antisocialites
Arcade Fire – Everything Now
Bahamas – Earthtones
The Barr Brothers – Queens of the Breakers
Bernice – Puff LP: In the air without a shape
Jean–Michel Blais – Dans ma main
Bonjay – Lush Life
Booji Boys – Weekend Rocker
Philippe Brach – Le silence des troupeaux
Cadence Weapon – Cadence
Weapon
Daniel Caesar – Freudian
Jennifer Castle – Angels of Death
Clairmont The Second – Lil Mont from The Ave
Gord Downie – Introduce
Yerself
Jeremy Dutcher – Wolastoqiyik Lintuwakonawa
Faith Healer – Try ;–)
FRIGS – Basic Behaviour
Zaki Ibrahim – The Secret Life of Planets
Iskwé – The Fight Within
Kacy & Clayton – The Siren's Song
Lydia Képinski – Premier Juin
Pierre Kwenders – Makanda at the End of Space, the Beginning
of Time
Pierre Lapointe – La science du coeur
Melissa Laveaux – Radyo Siwèl
Hubert Lenoir – Darlène
Terra Lightfoot – New
Mistakes
Loud – Une année record
Milk & Bone – Deception Bay
Partner – In Search Of Lost Time
Propagandhi – Victory Lap
Vivek Shraya & Queer Songbook Orchestra –
Part–Time Woman
Sloan – 12
Snotty Nose Rez Kids – The Average Savage
U.S. Girls – In A Poem Unlimited
The Weather Station – The Weather Station
Weaves – Wide Open
Charlotte Day Wilson – Stone Woman
Donovan Woods – Both Ways
Yamantaka // Sonic Titan – Dirt
Familiar faces:
Previous
winners: 1 (Arcade Fire)
Previous
shortlisters: 7 (Cadence Weapon x2, Jennifer Castle, Gord Downie, Zaki Ibrahim,
U.S. Girls, Weaves, Yamantaka/Sonic Titan x2)
Previous
longlisters: 10 (Bahamas, Barr Brothers, Jean-Michel Blais, Clairmont the
Second, Pierre Kwenders, Milk and Bone, Sloan, The Weather Station, Charlotte Day
Wilson, Donovan Woods)
New
to Polaris: 22
Debut
albums: 11 (Allie, Bonjay, Daniel Caesar, Jeremy Dutcher, Frigs, Iskwé, Lydia
Képinski, Mélissa Laveaux, Loud, Partner, Vivek Shraya)
(Hopefully)
recognizable names for even those living under a rock: 5 (Arcade Fire, Sloan,
Daniel Caesar, Gord Downie, Bahamas)
2011
winner Arcade Fire now has four Polaris nods (not including the Heritage Prize
they won for Funeral). Always
longlisted, never shortlisted, Afie Jurvanen of Bahamas now has a fourth
longlist appearance under his belt. Bahamas and Arcade Fire now join other four-time
nominees The Weeknd (not longlisted for his EP this year), BadBadNotGood, Basia
Bulat, Joel Plaskett, Tom Wilson, the Sadies, Daniel Romano and Patrick Watson.
All
those acts still trail Drake, Dan Boeckner and the New Pornographers, who have
five Polaris nods each in the prize’s history.
Former
two-time shortlisters Yamantaka/Sonic Titan and Cadence Weapon now have another
Polaris nod, bringing their tally to three.
Other
than Arcade Fire, Y/ST, Cadence Weapon and Bahamas, this is a rather fresh set
of Polaris nominees.
QUALIFIER:
Everything below can be somewhat subjective, and I’ve no doubt got a few things
flat wrong. All corrections are welcome.
Female
solo or female-fronted: 19
Male/female
partnership up front: 2 (Arcade Fire, Kacy & Clayton)
Acts
featuring female instrumentalists who do not sing or lead the band: 1 (Alvvays)
Franco:
7 (plus franco instrumental artist Jean–Michel Blais)
Indigenous:
3
Others
with persons of colour, solo or up front: 11
Geezers
well past the age of 40: 3 (Gord Downie, Propagandhi, Sloan)
Geography:
This
is always tricky, as ever-transient artists often have several cities claiming
them, especially when they end up in Toronto or Montreal. Edmonton-born Cadence
Weapon made his current record in Montreal and Toronto, where he now lives.
Partner formed in Sackville, N.B.; its two members grew up in Goose Bay, N.L.,
and Summerside, P.E.I., and now live in Windsor. But generally speaking:
Toronto:
17
Montreal:
10 (includes current Parisian Mélissa Laveaux)
Hamilton:
2 (Iskwé, Terra Lightfoot)
Vancouver: 1 (Snotty Nose Rez Kids)
Edmonton: 1 (Faith Healer)
Edmonton: 1 (Faith Healer)
Winnipeg:
1 (Propagandhi)
Calgary:
1 (Vivek Shraya)
Windsor:
1 (Partner)
New Brunswick: 1 (Jeremy Dutcher)
New Brunswick: 1 (Jeremy Dutcher)
Halifax:
1 (Booji Boys)
Saskatchewan:
1 (Kacy & Clayton)
Identifiably
rock (extremely broadly speaking): 20
Identifiably
R&B/hip-hop: 9
Identifiably
acoustic-based modern folk music: 5
Somewhat
unidentifiably genre-averse: 6 (Bernice, Jean-Michel Blais, Jeremy Dutcher,
Lydia Képinski, Pierre Kwenders, Vivek Shraya)
Weird
and/or abrasive music that will scare the shit out of CBC Radio 2 (not counting
all the hip-hop, which is certainly off limits, but including Weaves, who is
apparently too outré for the nation’s music station in prime time): 10
Left behind:
10
more favourites of mine that deserve your ears, about which I’ll write more
later:
Afrotronix
– NomadiX
Geoff
Berner – Canadiana Grotesquica
Cold
Specks – Fool’s Paradise
Daphni
– Joli Mai
Dennis
Ellsworth – Things Change
Julie
& the Wrong Guys – s/t
Peggy
Lee – Echo Painting
The
Sorority – Pledge
Maylee
Todd – Acts of Love
Whitehorse
– Panther in the Dollhouse
My picks
The
final three records the jury will likely be arguing about at the September
gala, from which one winner will emerge: Daniel Caesar, Jeremy Dutcher, U.S.
Girls
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