It’s no understatement
to say that this album was monumental in the Toronto rock underground of the
early ’90s. Everyone into guitar music loved this band, from the Barenaked
Ladies, Blue Rodeo and the Tragically Hip to the most jaded Queen West
scenester. Exclaim magazine, the national music monthly, was founded primarily
to champion this band and this record; the mag’s first issue had a “making of”
story about this album, penned by drummer Glenn Milchem. Smile was the kind of
album that, like the Rheostatics’ Whale Music the year before, or Broken Social
Scene’s You Forgot It In People 11 years later, rose the bar and helped
coalesce a scene. It’s a sprawling, 21-song double album that combines punk,
prog, grunge and more, drawing from psychedelic obscurities like Moby Grape and
punk outliers like the Minutemen. Even more impressive: it was all recorded
live, with a nine-piece band, live to a DAT tape.
And yet—producer/engineer
Michael Philip Wojewoda has felt guilty about this record for years, the fact
that it always sounded too muddy, too cluttered in ways that did the music no
favours, and there was no way to go back and fix the DAT. Technology now allows
him to do that—and what we finally have here is the classic album that rises
far beyond its nearly forgotten status as something you had to be there at the
time to appreciate.
This isn’t George
Lucas digitally inserting unnecessary backgrounds into the original Star Wars
film; this is dusting off confounding cobwebs, making Bernard Maiezza’s
keyboards jump to the fore, making Milchem’s cymbals crackle with life, giving
Anne Bourne’s cello more definition, giving Rob Taylor’s bass actual depth. And
of course, giving Ian Blurton’s signature guitar crunch the heaviness he would
always—and still does—deliver night after night on stage.
If you’ve ever been
remotely interested in Canadian rock music and haven’t heard this record, now
you have no excuse. You don’t have to have been there; the time is now.
Stream: “Before and
Beyond,” “Smile,” “Yeah, It Matters”
Note: My personal history with this record is deep. It was a key reason I wanted to co-write the book Have Not Been the Same; Jason Schneider wrote beautifully about the band there. Twenty years ago, I wrote my first-ever cover story for Exclaim!, about Change of Heart. (Last month, I returned to the magazine to write one about Feist.) And I recently had a chance to reconnect with Ian Blurton to discuss a new project I'm working on, details of which will be revealed in a month's time (and which explains my absence from this space).
A nine-piece configuration of Change of Heart will be performing Smile at the Horseshoe Tavern this Saturday, July 22, with Sianspheric and B.A. Johnston on the bill and Michael Philip Wojewoda on live sound. A four-piece incarnation of the band will be playing more dates across Canada in the fall.
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