Janelle Monáe – Dirty Computer (Universal)
Janelle Monáe is an
incredible actress. That was made obvious in 2016, when she had key supporting
roles in two Oscar-winning films, Moonlight
and Hidden Figures. Anyone who’d
followed her music career from the beginning would not have been surprised:
right from the outset, the incredibly talented singer and performer seemed to
be playing a part. Which she was: her first three releases were apparently the
work of a character called Cindi Mayweather, an “arch-android” inspired by the
film Metropolis. Despite Monáe’s
prodigious gifts, there was indeed always something arch about her, something
overly performative that made her seem more stiff than soulful. Not that
there’s anything wrong with that: it worked for everyone from David Bowie to
Rihanna. But with rare exceptions, Monáe’s music always sounded more like work
than fun.
Now that she’s come
out as a thespian, her music is more playful and pop than it ever was. Maybe
hanging out with Prince and Stevie Wonder—as one does, when you’re Janelle
Monáe—convinced her to let her hair down (metaphorically, anyway). Dirty Computer is many things:
political, pop, full of provocative invocations of “pussy power,” infused with
the ghost of Prince (particularly the supremely funky “Make Me Feel”), and a
major media event, with an accompanying album-length video, much like Beyoncé’s
Lemonade.
“If the world should end tonight, I had
a crazy, classic life,” she sings on the second track here. That she certainly
has. And this album indicates it’s about to get even better.
(May 11)
Stream: “Make Me
Feel,” “Pynk,” “I Got the Juice”
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